Miler Lagos: The Merx Tree

This site-specific installation by Colombian artist and engineer Miler Lagos is made of cardboard boxes collected on Duke’s campus, stacked and carved to resemble the base of a Ceiba tree—an ancient and sacred symbol in Mesoamerican and Amazonian cultures. By reshaping discarded cardboard to its pre-processed arboreal form, Lagos confronts viewers with the hidden cost of commerce.

With the title, Merx, Latin for “merchandise” and derived from the Roman god Mercury (patron of commerce and communication/divination), Lagos imbues his work with a multi-leveled significance. The reclaimed cardboard evokes global systems of trade and transformation. And the Cieba tree connects the shamanic practice of bridging realms by inserting tobacco leaves into its bark to Duke’s historical entanglement with tobacco as a commodity. In this context, The Merx Tree becomes both a reflection of the global impact of distribution, and a monument to the invisible, often spiritual, networks embedded within it.